Produced by Jonathan Ingram, David Garcia, Charles Franks, and the Online Distributed Proofreading Team In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours,' and on memoirs, biographies, histories, criticism, and poetry as the age's _serious_ contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the …
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