Pistols for two

· 1956

Biography fails, like psychology, because it so often mistakes complexity for illumination. Its aim is to present a complete picture of a man; its effect is usually to make an impenetrable mystery of him. The cause of this, it seems to me, lies in the fact that the biographer always tries to explain him utterly, to account for him in every detail, to give an unbroken coherence to all his acts and ideas. The result is a wax dummy, as smooth as glass but as unalive as a dill pickle. It is by no such process of exhaustion that we get our notions of the people we really know. We see them, not as complete images, but as processions of flashing points. Their personalities, so to speak, are not re…

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