Vasari on technique : $b Being the introduction to the three arts of design, architecture, sculpture, and painting. Prefixed to the lives of the most excellent painters, sculptors and architects

Vasari, Giorgio · 1574

=A=, Egyptian Porphyry. =A=^1, Portion of the same piece that has passed through the fire. =B=, Dark green porphyritic stone, incorrectly called “Serpentine.” =C=, =D=, Two specimens of Breccias of Seravezza (Stazzema). =E=, “Verde di Prato,” a true Serpentine. =F=, =F=, Red Marble or Limestone from Monsummano, near Pistoja, as used on the Duomo and Campanile, Florence. =G=, Pietra Serena. =H=, Cipollino. =I=, True Touchstone or Basanite. =J=, White Statuary Marble from Monte Altissimo. =K=, Bardiglio, or Grey Marble, from La Cappella, near Seravezza. =L=, Istrian Stone. =M=, Pietra Forte. =N=, Do. from Fortezza, Florence. =O=, Travertine. =P=, So-called …

Read free — original

Or read it translated: 日本語 · 中文 · हिन्दी · Español · العربية · Français · বাংলা · Português · Русский · Bahasa Indonesia · اردو · Deutsch · Kiswahili · 한국어

Lindy Books — 63,242 public-domain books that survived, free forever. No ads, no accounts, no tracking. Browse the library