“The Spanish Farm” attracts a preface because it exhibits a new form, distinct even in this experimental epoch; and because one has not before met with such a good realization of French character by an Englishman, unless Renée, in “Beauchamp’s Career,” be excepted. For four years and three months the British Army was in France, many thousands of educated Englishmen were in touch with French character, and, so far as I know, Madeleine in this book is the only full, solid, intimate piece of French characterization which has resulted from that long and varied contact. Madeleine is amazingly lifelike. I suspect her to be a composite creation rather than drawn directly from one living prototype;…
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