The Last Lady of Mulberry: A Story of Italian New York

· 1907

ALL Armando knew of sculpture he had learned from his uncle Daniello, a mountain craftsman who never chiselled anything greater than a ten-inch Saint Peter. At night in the tavern on the craggy height, with a flask of _barbera_ before him, the old carver would talk grandly of his doings in art, while his comrades, patient of the oft-told tale, nodded their heads in listless but loyal accord. They all knew very well that it was young Armando who did most of the carving, yet they cried “Bravo!” for old Daniello’s wine was good. And so it had been for a long time. While the lad chipped all day in a little workshop perched beyond the nether cloud shadows, his uncle passed the hours in Genoa, whe…

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