NEW·YORK D. APPLETON AND CO. 1892 In the intellectual history of all countries we find the same phenomenon incessantly recurring. New writers, new artists, new composers arise in revolt against what has delighted their grandfathers and satisfied their fathers. These young men, pressed together at first, by external opposition, into a serried phalanx, gradually win their way, become themselves the delight and then the satisfaction of their contemporaries, and, falling apart as success is secured to them, come to seem lax, effete, and obsolete to a new race of youths, who effect a fresh æsthetic revolution. In small communities, thes…
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