Paris hints of sacrifice.—But here we deal with that large dusty facet known to indulgent and congruous kind. It is in its capacity of delicious inn and majestic Baedeker, where western Venuses twang its responsive streets and hush to soft growl before its statues, that it is seen. It is not across its Thébaïde that the unscrupulous heroes chase each other’s shadows. They are largely ignorant of all but their restless personal lives. Inconceivably generous and naïve faces haunt the Knackfus Quarter.—We are not, however, in a Selim or Vitagraph camp (though “guns” tap rhythmically the buttocks).—Art is being studied.—Art is the smell of oil paint, Henri Murger’s _Vie de Bohème_, corduroy tro…
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