SUNDAY in London: For the first time since our arrival in the city we saw it under what passes in that latitude and language for sunshine. For ten days we had dwelt beneath a curtain of gray crape resting upon the chimney-tops, leaving the pavements dry to dustiness. “Gray crape” is poetical—rather—and sounds better than the truth, which is, that the drapery, without fold or shading, over-canopying us, was precisely in color like very dirty, unbleached muslin, a tint made fashionable within a year or so, under the name of “Queen Isabella’s linen” (“_le linge de la Reine Isabeau_”). The fixed cloud depressed and oppressed us singularly. It was a black screen set above the eyes, which we were …
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