I. Jeanne Duval: Drawing by Baudelaire, 1860. II. Baudelaire, designed by himself, 1848. III. Les fleurs du mal, 1857. IV. Les paradis artificiels, 1861. V. Autograph Letter of Baudelaire to Monsieur de Broise, 1859. VI. Gustave Courbet, 1848. VII. Edouard Manet, 1862. VIII. Edouard Manet, 1865. IX. Autograph Letter of Baudelaire to Charles Asselineau, 1865. When Baudelaire is great, when his genius is at its highest point of imaginative creation, of imaginative criticism, it is never when he works by implication--as the great men who are pure artists (for instance, Shakespeare) work by implication only--but always from his personal point of view being simply infallible and impeccable. The …
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