Quintus Claudius: A Romance of Imperial Rome. Volume 2

· 1900

The same day, which saw our friends in the country house at Ostia, and the bond of love sealed between Aurelius and Claudia, had been one of infinite agitation and annoyance to the Emperor Domitian. The very first thing in the morning came vexatious tidings from the town and provinces. At the earliest dawn inscriptions had been discovered on several of the fountains, columns and triumphal arches, of which the sting was more or less covertly directed against the Palatium and the person of Caesar. “Enough!” was attached to the base of a portrait bust.[1] “The fruit is ripe!” was legible on the arch of Drusus. In the fourth, eighth and ninth regions the revolutionary question was to be seen in…

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