At the Relton Arms

· 1955

It was towards the end of a crowded reception in the musician's studio. Most of the people who had come from a sense of social obligation, and they were chiefly the mothers of his fashionable pupils, had left when the musician began to play his own compositions; and those who remained behind, and occupied the position of the Greek chorus with regard to his remarks, were his own chosen disciples, who were of course privileged to stay much longer than ordinary acquaintances. The musician, perhaps, had no effectual means of suggesting their departure; but neither was their homage, being very womanly and obvious, unpleasing to him; and when the well-dressed Philistines had driven away in their c…

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