The admirers of “The Pilot,” one of the most magnificent of Cooper’s novels, have evinced a general feeling of regret, in which we ourselves have deeply participated, that the book, once finished, we altogether lose sight of the mysterious being whom we had followed with such intense interest, through the narrows of the Devil’s Grip, and the Cloisters of St, Ruth. There is in the physiognomy, in the language, and in the actions of this person, introduced in the first place by the name of John, and afterwards under that of Paul, a melancholy so profound, a grief so bitter, a contempt of life of so intense a nature, that every reader desires to become acquainted with the motives which influenc…
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