Painted in 1841 for the Gallery at Versailles, whence it was subsequently removed to the Louvre, this large, dramatic composition belongs to the period when Delacroix's palette, inspired from the first by Rubens and Veronese, had assumed increased richness under the influence of Eastern light and colour. It is significant of the lack of appreciation shown to the master by his contemporaries, and even by his supporters, that the commission was accompanied by the request that the picture should not look like a Delacroix. I. The Entry of the Crusaders into Constantinople . . . Frontispiece In the Louvre…
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