The Return

· 1956

The churchyard in which Arthur Lawford found himself wandering that mild and golden September afternoon was old, green, and refreshingly still. The silence in which it lay seemed as keen and mellow as the light—the pale, almost heatless, sunlight that filled the air. Here and there robins sang across the stones, elvishly shrill in the quiet of harvest. The only other living creature there seemed to Lawford to be his own rather fair, not insubstantial, rather languid self, who at the noise of the birds had raised his head and glanced as if between content and incredulity across his still and solitary surroundings. An increasing inclination for such lonely ramblings, together with the feeling …

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