A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study. Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet,…
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