Turgenev was the first writer who was able, having both Slavic and universal imagination enough for it, to interpret modern Russia to the outer world, and Virgin Soil was the last word of his greater testament. It was the book in which many English readers were destined to make his acquaintance about a generation ago, and the effect of it was, like Swinburne’s Songs Before Sunrise, Mazzini’s Duties of Man, and other congenial documents, to break up the insular confines in which they had been reared and to enlarge their new horizon. Afterwards they went on to read Tolstoi, and Turgenev’s powerful and antipathetic fellow-novelist, Dostoievsky, and many other Russian writers: but as he was the …
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