_The "Epilogue of the Dreaming Women" is reprinted by permission of the "English Review."_ There are two great traditions of womanhood. One presents the Madonna brooding over the mystery of motherhood; the other, more confusedly, tells of the acolyte, the priestess, the clairvoyante of the unknown gods. This latter exists complete in herself, a personality as definite and as significant as a symbol. She is behind all the processes of art, though she rarely becomes a conscious artist, except in delicate and impassioned modes of living. Indeed, matters are cruelly complicated for her if the entanglements of destiny drag her forward into the deliberate aesthetic effort. Strange, wistful, bitte…
Or read it translated: 日本語 · 中文 · हिन्दी · Español · العربية · Français · বাংলা · Português · Русский · Bahasa Indonesia · اردو · Deutsch · Kiswahili · 한국어