The Eternal City

· 1931

Has a novelist a right to alter his novel after its publication, to condense it, to add to it, to modify or to heighten its situations, and otherwise so to change it that to all outward appearance it is practically a new book? I leave this point in literary ethics to the consideration of those whose business it is to discuss such questions, and content myself with telling the reader the history of the present story. About ten years ago I went to Russia with some idea (afterwards abandoned) of writing a book that should deal with the racial struggle which culminated in the eviction of the Jews from the holy cities of that country, and the scenes of tyrannical administration which I witnessed…

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