This comedy excites that sensation, which is the best security for the success of a drama--curiosity. After the two first acts are over, and pleasantly over, with the excellent drawn characters of Ashfield and his wife, and the very just satire which arises from Sir Abel's propensity to modern improvements--the acts that follow excite deep interest and ardent expectation; both of which are so highly gratified at the conclusion of the play, that, from the first night of its performance, it has ranked among the best of the author's productions, and in the first class of modern comedies. The various characters of this play are admirably designed, but not so happily finished as the author meant…
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