THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC. [Transcriber's note: This book contains a few page references, e.g., "...on page 122". In such cases the target page number has been formatted between curly braces, e.g. "{122}", and inserted into this e-text in a location matching that page's physical location in the original book.]…
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