When the curtain fell on the last act of "The Squire's Daughter," the comedy-opera that had taken all musical London by storm, a tall and elegant young English matron and her still taller brother rose from their places in the private box they had been occupying, and made ready to depart; and he had just assisted her to put on her long-skirted coat of rose-red plush when an attendant made his appearance. The box was close to the stage. Lady Adela Cunyngham and her brother, Lord Rockminster, followed their guide through a narrow little door, and almost at once found themselves in the wings, amid the usual motley crowd of gas-men, scene-shifters, dressers, and the like. But the company were st…
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