It was reserved for Walter Scott, "the Ariosto of the North," "the historiographer royal of feudalism," to accomplish the task which his eighteenth-century forerunners had essayed in vain. He possessed the true enchanter's wand, the historic imagination. With this in his hand, he raised the dead past to life, made it once more conceivable, made it even actual. Before Scott no genius of the highest order had lent itself wholly or mainly to retrospection. He is the middle point and the culmination of English romanticism. His name is, all in all, the most important on our list. "Towards him all the lines of the romantic revival converge." [2] The popular ballad, the Gothic romance, the Ossianic…
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