WITH EXPLANATORY NOTES BY GILBERT MURRAY REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORD The sense of difficulty, and indeed of awe, with which a scholar approaches the task of translating the _Agamemnon_ depends directly on its greatness as poetry. It is in part a matter of diction. The language of Aeschylus is an extraordinary thing, the syntax stiff and simple, the vocabulary obscure, unexpected, and steeped in splendour. Its peculiarities cannot be disregarded, or the translation will be false in character. Yet not Milton himself could produce in English the same great music, and a translator who should strive ambitiously to represent the complex effect of the original would clog …
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