It is not a new thing for a dramatic author to write prefaces to his plays. We are fortunate in possessing a series of personal opinions in this form that constitute a valuable asset in determining individual attitude and technical purpose. Read Schiller's opening remarks to "The Robbers," Victor Hugo's famous opinions affixed to "Cromwell" and his equally enlightening comments introducing "Hernani," and you can judge the value autobiographically and philosophically. The American dramatist has not been given, as a general rule, to such self-examination; he has contented himself with supplying the fashions of the day in the theatre, and has left to the ubiquitous press-agent the special prer…
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